Below is a list of artists currently exhibiting at Larks Gallery.
Images shown are a sample of the artists work and are not necessarily
the current works that are on display in the gallery.
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Hafdis Brands
Hafdis is an accomplished ceramicist who
has trained and taught ceramics in her native home of Iceland
and in Scotland where she now resides. Her rustic and quirky
style in her use of clay has been admired and collected
by many people. She draws inspiration from the scenery around
her, and works on various scales of pieces which can be
decorative or functional. She particularly loves to use
a rough type of clay which reminds her of the textured lava
flow rock in Iceland. |
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Vicky and Sarah Stalker
We design, make and hand decorate studio
ceramics in white earthenware. Each piece is individually
thrown or moulded and decorated by hand using various techniques
including sgraffito, tubelining, freehand and wax resist
(for those who are technical!). Dinnerware safe glaze is
used and fired at the optimum temperature to enhance the
colours. |
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Rob Watson
I became interested in pottery in the mid
1970's and taught myself to throw and make pots. In 1979
I began a 3 year studio ceramics course at Chesterfield
College of Art where I specialised in wood fired stoneware.
From 1982 to 1990 I made reduction fired stoneware in a
gas / wood fired kiln. In 1990 I began to introduce more
colour into my work and to this end I experimented with
and continue to use white earthenware clay decorated with
a small number of coloured glazes, mainly blues and pinks.
I produce a wide range of wheel thrown domestic ware from
mugs to casseroles, however many slab dishes, plates, and
"one off" pots often crop up.
I make generously thrown work, substantial rims and handles,
freely decorated with vibrant colours. All the work is now
fired in electric kilns to a high fired earthenware temperature
of 1140/1160 centigrade. |
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Jo Cook - currently
being updated |
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Karen and Colin Witty-Fawcett
Hands on Ceramics was formed in the year
2000 by Karen Witty and Colin Fawcett whilst studying at
Sunderland University. Karen studying Glass, Architectural
Glass and ceramics, whilst Colin was studying Fine Art.
A mutual unique partnership developed culminating in the
creation of unique bird and animal sculptures for everyone
to enjoy and own at very reasonable prices. |
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Christine Cummings
I began making animals whilst studying ceramics
at Lancashire Polytechnic, which to begin with was purely
pig studies, spending a lot of time at agricultural shows
in the rare breeds tent. Many Years later I'm still making
pigs along with a whole host of other animals, source material
is never far away - a cow in a field, a scratching chicken
or a dog racing down the street.Sketching
from life is a very big part of my work making me study
the subject at great length. The pieces are all hand crafted
in earth stone clay being finished either by Raku or smoke
firing. |
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Lorraine Ditchburn
The driving force behind my work is the
creation of surface texture which I achieve by slip-casting
porcelain in textured moulds. Porcelain is magnificently
able to display delicate surfaces through its ability to
highlight every nuance and minute detail. I use simple,
organic forms and combine their simplicity of shape with
the fineness and purity of porcelain. |
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Sonja Moss Dolega
- currently being updated |
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Stephen Green
All my artifacts are hand-built and semi-thrown,
using the metal kidney, coiled process. This is a time consuming
method which requires painstaking effort in order to produce
the refined and sculpted shapes. I have developed my technique
over many years, basing my methods on ancient ceramic traditions.
The clay is biscuit-fired to 1000 deg. C. The designs are
then coated with my exclusive glazes, and heated to 1240
- 1280 deg.C. Every piece of pottery is unique and of the
highest standard, weather-proof and perfect. |
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Sandra Gorrara - currently
being updated |
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Alison Ogden
Alison Ogden first started working in porcelain
whilst studying at Rochdale College of Art. She continued
with her ceramics education at Cardiff graduating in 1980
with an Honors Degree in 3D Design. After working as a part
time lecturer for many years she has pursued a career as
a designer maker for the last ten. |
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Julia Smith
I am a studio potter and work from my home
in Ardersier, near Inverness, making distinctly handmade
ceramics for everyday use. |
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Helen Ablitt
Helen and John Ablitt both studied pottery
at Bristol Art School in the 1960s. For a while Helen branched
out into textiles and knitting and has now returned to the
craft of potting. John taught in art schools for many years
and also became involved in designing for the ceramic industry.
He continues to design for Royal Crown Derby. John &
Helen currently produce domestic stoneware pottery in their
small workshop in East Pennard.They enjoy making pots which
are unassuming but are visually interesting, comfortable
to live with, complement the food which they contain and
generally enrich and enhance the home. |
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Lesley Mckenzie -
currently being updated |
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Sjarifah Roberts
When I am out in the landscape, particularly
in the wilder places I am aware of energy, a vibrancy that
pervades all things. Each item has its own sense of being.
Outdoors, it can seem that the forms in the land are alive.
Standing stones have a presence, trees seem to be listening,
and mountains have personality, sometimes like a brooding
animal or sleeping peacefully, but always alive. Weather,
nature and man, have left their marks. My work is about
these things. |
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Patricia Shone
Patricia enjoys the slow process of making
hand built raku fired pots by coiling and scraping. She
enjoys developing the surface textures and colours of a
piece. She is inspired by the surrounding landscape of her
home in Skye. Patricia is conscious of the interior of an
empty pot, particularly its potential and the volume it
contains. She sometimes leaves a message within a closed
form, unfortunately the pot has to break to reveal this!
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Elspeth Soper
Elspeth Soper creates distinctive
and very individual pieces of practical pottery from her
"very basic but homely" pottery in the woods on
the Willey estate near Broseley. Elspeth, inspired by country
pottery from England and Eastern Europe says "many
of my designs result from when I kept chickens, ducks, geese
and guinea fowl here at the pottery some ten years ago"
says Elspeth, "until foxes came and steadily stole
them away". With pottery featuring chickens, hares
and guinea fowl and Elspeth's earthly glaze colours such
as soft blues, greys, muted terracotta's, ochre's and greens,
the finished pieces from Willey Furnace Pottery would sit
happily in any home. |
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Sea Holly Tiles
Seaholly Ceramics produces a beautiful
range of hand crafted tiles and ceramic decorations celebrating
British Natural History, high days and holidays. |
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Alison Weightman
Alison Weightman has been hand building
and raku-firing ceramics since 1990. Her wares have been
exhibited in galleries throughout Britain. In 1998 she received
the Mercer Co. Award for work exhibited at the Royal Scottish
Academy in Edinburgh. |
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Rob Whelpton
Vicky and Robb Whelpton both work
out of the Krukker Ceramics. Robb produces raku fired decorative
pots featuring fish, the sea and animals. |
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Vicky Whelpton
Vicky and Robb Whelpton both work out of
the Krukker Ceramics. Vicky makes cream based earthenware
that is both decorative and functional, brightly decorated
with various fruit designs. |
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Tregear Pottery -
currently being updated |
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George Ormerod
George produces hand made pottery in colourful
stoneware and delicate porcelain making a number of ranges
of beautiful ceramic bowls, jugs, vases, teapots, figures
and much more. Producing pottery for over 18 years, George
Ormerod has built up a great reputation for his hand made
ceramics in Newcastle. |